POST TO UK & IRELAND ONLY<\/p>\n
Author:\u00a0Filip David<\/a><\/p>\n Translated by Christina Pribi\u0107evi\u0107-Zori\u0107<\/p>\n Wiinner of the prestigious NIN Award (Serbia)<\/strong><\/p>\n Albert Weiss has been deprived of his original identity since early childhood, by the heroic act of his parents. His father, striving to save him from imminent death in a Nazi concentration camp, manages to make a hole in the floor of a train taking Jewish families to their deaths. He then pushes the young Albert and his brother on the tracks, hoping that someone would find and take pity on the two boys in the white winter night<\/p>\n In an attempt to comprehend the existence of evil, Filip David shows us that it is necessary to walk in two worlds: the material one in which evil occurs, and the other in which we try to come to terms with it; the world of dreams, apparitions, premonitions and visions, the world of fantasy. \u00a0With its intricate plot, its haunting reflections on identity, its pertinence and meaning in a world sometimes overrun with evil,\u00a0The House of Remembering and Forgetting<\/em>\u00a0leads us to the crucial dilemma: whether to remember or to forget, and thus offers us a paradoxical and painful choice.<\/p>\n With a foreword by Dejan Djoki\u0107 This book is published in cooperation with Peter Owen, as part of the World Series.<\/em><\/p>\n ‘This is a profound book, immense in its wisdom and courage, and it demands to be read several times. At its huge heart remains the image of the little boy \u2014 distantly related to none other than the famous escape artist Houdini \u2014 thrust out into the snow. . . So many questions, so few answers, and always the haunting sound of a train. Devotedly and painstakingly, Filip David probes our communal bewilderment, as well as the fate of Serbian Jews in particular.’<\/em><\/p>\n The Los Angeles Review of Books<\/strong><\/a><\/p>\n ‘Filip David’s question, then, remains open: how are we to understand evil, if at all? While he ventures no answer, by maintaining an unflinching gaze towards this fundamanetal, existential conundrum, he has written a masterly book. It meshes a rigorous intelligence. . . with an eerie exploration of “the corridors and labyrinths of many criss-crossing worlds.”‘<\/em><\/p>\n ‘.A masterly book written with rigorous intelligence.’<\/em><\/strong><\/p>\n Richard Berengarten,\u00a0The Jewish Chronicle<\/a><\/strong><\/p>\n ‘In the confessions of numerous Jewish children who escaped the Holocaust and hid their identity, the conflict between memory and forgetfulness is revealed as an illusion. While warning us of the consequences of the choice between what to remember and what to forget, David suggests a new dialogue between memory and forgetfulness, a need for a new language for understanding evil.’<\/em><\/p>\n
\nProfessor of History at Goldsmiths, University of London<\/strong><\/p>\n
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